่กจๆผ่่ก็ผๅฑ่ถจๅขๆฆๆณ-ไธญๅ็ฏ
1000 - 1200
็ฑๆผๆๅ่ๆฏ็็ธ่ฟ๏ผ่จฑๅค่บ็ฃ่กจๆผๅ้้ฝๅธๆ้ๆไธญๅๅธๅ ดใไธญๅๅธๅ ดๅฐ่บ็ฃๅ้ๆ่จฑๅ ๆปฟๆฉๆ๏ผๆๅฆไฝๆดๆๅธๅ ดๆฆๆณ๏ผๆๆก็ผๅฑๅฅๆฉ๏ผ้้ๅญธ่ ใ่กจๆผ่่กๅ ด้คจ็ถ็ไบบใๅๅ่ฃฝไฝไบบใๆผๅบ็ถ็ดไปฃ็ๅๅไบซ็ถ้ฉไปฅๅ็ฌฌไธๆ็ไธญๅๅธๅ ด่งๅฏใ
ๅๆตทๅทฅไฝๅ9F
Nan-Hai Studio / 9th Floor
่บๅ TAIPEI
ๅๆตทๅทฅไฝๅ9F
Nan-Hai Studio / 9th Floor
่บๅ TAIPEI
Just like any ambitious entrepreneur, producers and arts administrators look up to the enormous audiences of China. Because of the geographical and language approximation, the markets of China become the obsession of some Taiwanese performing arts groups. How to survive in the ocean full of sharks? Analysis the first hand trend and developments of performing arts market in China.
่่ซไบบ๏ผPanelists
Window to the World: Performing Arts in China
ไธปๆไบบ๏ผModerator
ๅๆกๆฑ (่บ็ฃ ) | ๅปฃ่ๅบ้ๆ ็ญ็ฅ้ท
Yi-Ruu LIU (Taiwan) | Chief Strategy Officer, Quanta Foundation
10ๆ15ๆฅ(ไธ) Wednesday, October 15th
ๅฐๅ TAIPEI
ๅๆตทๅทฅไฝๅ
Nan-Hai Studio
็พๅ ดๅฐๆไพไธญ่ฑๆๅๆญฅๅฃ่ญฏๆๅ
We offer English / Chinese simultaneous translation
service during the forum session.
็็ญฑ่ธ (ไธญๅ) | ไธญๅ็คพๆ็งๅญธ็ ็ฉถ้ขๆๅญธ็ ็ฉถๆ็ ็ฉถๅก/ๅไบฌๅคงๅญธๆๅ็ขๆฅญ็ ็ฉถ้ขๆๆ
Xiao-Yun WANG (China)| Researcher, Chinese Academy of Social Sciences
ๅ ่ฅๅฒฉ (ไธญๅ) | ๅฒ้จฐๆผๅบ้็้ข็ท่ฒ ่ฒฌไบบ
Ryan FU (China) | CEO, Jalent Organization
ๆๅฝฅ้ (ไธญๅ) | ้ต็ฎๅฑๆๅๅณๆญๅ ฌๅธ่ฒ ่ฒฌไบบ
Yanda LI (China)| CEO, Tin House Productions
ๅค ๅ (ไธญๅ)| ้ๆ ถๆผ่้ๅๆ้่ฒฌไปปๅ ฌๅธๅๆณฐ่่กไธญๅฟ็ถ็็ฎก็ๅๅ ฌๅธ็ธฝ็ถ็
Wei XIA (China)| General Manager, Guo Tai Arts Center, Chungqing Cultural Group