
ไปฅ็ญๅฑ็ผๆฎๅชๅข๏ผๆ้ ๅ ด้คจ็จๆ็้ขจๆ ผๆจฃ่ฒ
1700-1900
ๅคๅไบๆดฒๅๅฎถ่ฟๅนด้ธ็บๆ็ซๅๅฎถ็ด่กจๆผ่่ก้คจๆ๏ผไธฆๆๅ้คจ้้็่ทจๅๅไฝ็ผๅฑใ้ขๅฐ้ธ็บๅฎๅทฅๅ็จ็่กจๆผ้คจๆ๏ผ้คไบๅฐๆพๅ้ๅไฝๅคฅไผดไนๅค๏ผ่ฉฒๅฆไฝๅฏฉ่ฆ่ช่บซๆขไปถ๏ผ็ผๅฑ็ฏ็ฎ๏ผๆ้ ๅ ด้คจๅๆง๏ผ
ๅๆตทๅทฅไฝๅ9F
Nan-Hai Studio / 9th Floor
่บๅ TAIPEI
ๅๆตทๅทฅไฝๅ9F
Nan-Hai Studio / 9th Floor
่บๅ TAIPEI
In recent years, Asian countries (China, Taiwan and Korea, etc) have been building various national performing arts centers. The new arts centers are planning to develop international collaboration with other venues domestically and internationally. However, what is the most important factor for building the character of the venue? How to establish its own artistic vision through curatorial programming?
Curatorial Workshop |
Building the Character of Arts Venues -Case Sharing of Brisbane Powerhouse, Australia

10ๆ15ๆฅ(ไธ) Wednesday, October 15th
ๅฐๅ TAIPEI
ๅๆตทๅทฅไฝๅ
Nan-Hai Studio
็พๅ ดๅฐๆไพไธญ่ฑๆๅๆญฅๅฃ่ญฏๆๅ
We offer English / Chinese simultaneous translation
service during the forum session.
็ญๅฑๅทฅไฝๅ | ่กจๆผๅ ด้คจๅฐ้ก๏ผๆพณๆดฒBrisbane Powerhouseๆกไพ
ๆ่ชฒ่ฌๅธซ Speaker
Kris Stewart (ๆพณๆดฒ Australia)
Artistic Director, Brisbane Powerhouse
ๅปบ่ญฐๅ่ๅฐ่ฑก๏ผ
่กจๆผ่่กๅตไฝ่ (ๅ้)ใ่่ก่กๆฟใ่ฃฝไฝไบบใๆๅๅฑๆผๅ ด้คจไบบๅกใๅฑๆผๆดปๅไผๅไบบๅก
