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ไปฅ็ญ–ๅฑ•็™ผๆฎๅ„ชๅ‹ข๏ผŒๆ‰“้€ ๅ ด้คจ็จๆœ‰็š„้ขจๆ ผๆจฃ่ฒŒ

1700-1900

ๅคšๅ€‹ไบžๆดฒๅœ‹ๅฎถ่ฟ‘ๅนด้™ธ็บŒๆˆ็ซ‹ๅœ‹ๅฎถ็ดš่กจๆผ”่—่ก“้คจๆ‰€๏ผŒไธฆๆœๅ‘้คจ้š›้–“็š„่ทจๅœ‹ๅˆไฝœ็™ผๅฑ•ใ€‚้ขๅฐ้™ธ็บŒๅฎŒๅทฅๅ•Ÿ็”จ็š„่กจๆผ”้คจๆ‰€๏ผŒ้™คไบ†ๅฐ‹ๆ‰พๅœ‹้š›ๅˆไฝœๅคฅไผดไน‹ๅค–๏ผŒ่ฉฒๅฆ‚ไฝ•ๅฏฉ่ฆ–่‡ช่บซๆขไปถ๏ผŒ็™ผๅฑ•็ฏ€็›ฎ๏ผŒๆ‰“้€ ๅ ด้คจๅ€‹ๆ€ง๏ผŸ

ๅ—ๆตทๅทฅไฝœๅŠ9F

Nan-Hai Studio / 9th Floor

่‡บๅŒ— TAIPEI

ๅ—ๆตทๅทฅไฝœๅŠ9F

Nan-Hai Studio / 9th Floor

่‡บๅŒ— TAIPEI

In recent years, Asian countries (China, Taiwan and Korea, etc) have been building various national performing arts centers. The new arts centers are planning to develop international collaboration with other venues domestically and internationally. However, what is the most important factor for building the character of the venue? How to establish its own artistic vision through curatorial programming?

Curatorial Workshop |

Building the Character of Arts Venues -Case Sharing of Brisbane Powerhouse, Australia

10ๆœˆ15ๆ—ฅ(ไธ‰)  Wednesday, October 15th

ๅฐๅŒ— TAIPEI

ๅ—ๆตทๅทฅไฝœๅŠ

Nan-Hai Studio 

 

็พๅ ดๅฐ‡ๆไพ›ไธญ่‹ฑๆ–‡ๅŒๆญฅๅฃ่ญฏๆœๅ‹™ 

We offer English / Chinese simultaneous translation

service during the forum session.

 ็ญ–ๅฑ•ๅทฅไฝœๅŠ | ่กจๆผ”ๅ ด้คจๅฐˆ้กŒ๏ผšๆพณๆดฒBrisbane Powerhouseๆกˆไพ‹

ๆŽˆ่ชฒ่ฌ›ๅธซ Speaker

 Kris Stewart (ๆพณๆดฒ Australia)

Artistic Director, Brisbane Powerhouse

ๅปบ่ญฐๅƒ่ˆ‡ๅฐ่ฑก๏ผš

่กจๆผ”่—่ก“ๅ‰ตไฝœ่€…(ๅœ˜้šŠ)ใ€่—่ก“่กŒๆ”ฟใ€่ฃฝไฝœไบบใ€ๆ–‡ๅŒ–ๅฑ•ๆผ”ๅ ด้คจไบบๅ“กใ€ๅฑ•ๆผ”ๆดปๅ‹•ไผๅŠƒไบบๅ“ก

่ดŠๅŠฉๅ–ฎไฝ๏ผš

ๅœ‹่—ๆœƒ || ๅœ‹้š›่—่ก“็ถฒ็ตก็™ผๅฑ•ๅนณๅฐๅฐˆๆกˆ

็ญ–่พฆๅ–ฎไฝ๏ผš

ไธญ่ฏๆฐ‘ๅœ‹่กจๆผ”่—่ก“ๅ”ๆœƒยฉ2014็‰ˆๆฌŠๆ‰€ๆœ‰

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